Milyo keeps the momentum going with “Money On My Mind,” a dark and driving club cut released on his own Sword Records imprint. Built for both packed dancefloors and festival stages, the track continues a standout run for the rising producer.

Fifteen years after Rebel Music first introduced Kabaka Pyramid, the Jamaican lyricist returns to that same spirit with Rebel Music – The Lyrics Tape. Released via Bebble Rock Music and Ghetto Youths International, the 10-track project brings his conscious reggae and hip-hop fusion into the present.

Mr. Beretini delivers “Still Alive”, an uplifting electronic track blending modern pop melodies, rap influences, infectious grooves, and a powerful message.

Bajan singer Amanda Reifer brings her own energy to one of Dancehall’s most recognisable songs with “Bam Bam”, a live reworking of Sister Nancy’s legendary 1982 classic.

Unruly Onez return with “Dem A Creature”, a new Dancehall cut that takes a sharp look at the darker side of human behaviour.

Dean Lewis returns with “Enjoy It While It Lasts”, an emotional new single built around a simple reminder to appreciate the moment before it passes.

Scott Lees returns with “I’m Sorry”, a new House release on Neapolitan Soul Records.

New Age Collective are bringing their unique blend of rave, rock and soundsystem culture to the next level with their debut album, Crusty Raver.

A!MS and Dappy link up on “Don’t Die”, a melodic Hip-Hop/Rap collaboration built around loyalty, authenticity and the people who stay real when everything around you starts to change.

So Dope delivers “I FEEL IT”, a high-energy 140 cut packed with punchy drums, hard-hitting bass stabs, and swagger-heavy vocals.

Henry Fong and Reese team up on “MAMA SAY”, turning an instantly recognisable vocal into a high-energy UK Garage cut built for the club. Running at 136 BPM, the track brings together punchy 4/4 drums, rolling basslines and that unmistakable garage swing.

Shenseea takes on a true 90s Dancehall classic with her live cover of Diana King’s “Shy Guy”, bringing a fresh voice to a song that still carries plenty of nostalgia across Caribbean music and beyond.